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'As an artist's interlocution of real events, an intensive network of communication and relations was developed and documented, involving key political players, offices of diplomacy and departments of science, concluding with a personal address to UN Secretary-General Ban Ki-moon.' Arfus Greenwood


'The Art of the Impossible Made Real. In a unique example of world cooperation, every day 2,000 weather balloons are released from some of the world's most isolated spots. For Brudermann's participation in this sort of earthly ballet and scientific ritual, she replaced the scientific instruments with a camera.' Annick Bureaud, art press, 02.2004

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from left to right: Nin Brudermann with UN Secretary-General Ban Ki-Moon, Grand Theatre, Geneva 2009; 'Twelve O'Clock in London' production sites Aurora Australis, Antarctica, and Venice Biennale 2003, Isola de Campalto, 'Individual Systems' Makrolab/Marko Peljhan

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Twelve O'Clock in London

Twelve O'Clock in London


TWELVE O'CLOCK IN LONDON, single channel video w/sound, TRT 33min (excerpt)

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TWELVE O'CLOCK IN LONDON presentation at high-level reception for Heads of States and Governments preceding a concert by the Vienna Symphony Orchestra, Victoria Hall, Geneva 2009

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TWELVE O'CLOCK IN LONDON installation view Regionale XII (A), 2012

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